Random facts of the day: The best time for a person to buy shoes is in the afternoon. This is because the foot tends to swell a bit around this time. That is just so weird, but obviously true as all the blood is in your feet. Anyway heres some new things that i found the other day.
Joel Zimmerman, or Deadmau5 is a progressive house and electro house producer and DJ from Toronto, Canada. His extensive discography includes tracks such as "Arguru" and "Not Exactly", which have been included in compilation albums such as In Search of Sunrise 6: Ibiza, MixMag's Tech-Trance-Electro-Madness (mixed by Deadmau5 himself), and on Armin van Buuren's A State of Trance radio show.
He was named "Most influential, forward-thinking and relevant person" by Beatport. He was also named "Producer of 2007" by DJ magazine's 2007 Top 100 winner Armin van Buuren, and by runner up Tiësto. In 2008, he placed number 11 in the DJ Mag Top 100 poll, tying Infected Mushroom (2006) for the highest new entry in the poll's history, showing Zimmerman's fast rise to prominence.
In 2008 he became the most-selling artist on Beatport with more than 30,000 digital downloads on just Beatport alone with his singles "Not Exactly," "Faxing Berlin," and "Ghost n Stuff". In 2009, he was nomiated for Grammy Best Remixed Recording, Non-Classical ("The Longest Road" (Deadmau5 Remix) by Morgan Page featuring Lissie
Redial is an Australian up and comer in this game and is been criticised for being too unoriginal, but now there are signs of him finding his own sound.
This Boy is from LANDAN. Boy 8-Bit aka David Morris made his first steps onto the dance scene when Dj Touche included his track ‘The Colonel’ in his Radio One essential mix in 2004. He was then offered the chance to remix Touche’s seminal track ‘The Paddle’ for Southern Fried Records, along with other high profile tracks such as Dave Clarke and Arthur Baker’s ’ This Feelin’ – which was supported by Radio One’s Essential Selection and Armand Van Heldens ’ When The Lights go Down’ which recieved plays from Radio One’s Annie Mac.
The Boy was also a resident at the Body Clap night was also held at London’s ultra trendy T-Bar. It ran for over two years and became the clubs longest running night. The night has now moved onto Fabric one of Londons largest and most popular venues.
He has also played guitar for the band the Black Ghosts – aka Simon ‘We are your Friends’ Lord from Simian and Theo Keating aka DJ Touche from the Wiseguys. His time in the band included a performance at 2007’s Glastonbury festival.
The man came down to Bournemouth and performed at the club 2020, where on fridays the night which calls itself 2020 ROCKS brings Bournemouth the new artists of that type of genre, including Sinden, Stanton Warriors, Plump DJ's, Kissy Sell Out, A-Track, Erol Alkan etc. He did not fail to disappoint and played all the tunes except the suspence killed me and he never played that song!
The obvious introduction can be found here on Wikipedia obviously. Cannot believe i have not heard of them before. What caught my ear was their Promo Mix to their latest album entitled Stanton Sessions Volume 3, with big hitters like Alan Braxe feat Killa Kela - ‘Nightwatcher (Show Me)’ (Stanton Warriors Remix) and Bingo Players - ‘Get Up’ (Diplo Mix). You can listen to a few of their good tunes on Hypemachine
Kissy Sell Out is a DJ/producer and graphic designer from the UK. Kissy Sell Out quickly gained notoriety in 2006/07 in the UK for his eccentric electro productions and energetic DJ style.
Although Kissy has often been decribed by the press as being a staple of the east London electro scene, Kissy is in fact from Colchester in Essex. It was during his adolescent years growing up there that he became obsessed with records by Nirvana, Aphrodite, Swans, Felix Da Housecat and John Martyn, while dividing the rest of his time between school, DJing at teenage house parties and chasing girls at the local roller-skating rink. It is these childhood adventures which he claims still provide the greatest impact on his music. The broad range of his musical influences usually manifest themselves in very melodically complex post-modern dance tracks around 128 BPM in tempo.
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